曾民光藝名曾嘉民，為五洲勝義閣第二代現任團長，不僅會操偶、口白演出，更是少數會唱曲的布袋戲藝師。曾團長自小跟隨父親曾山水（五洲勝義閣第一代團長）四處演出，並在父親的用心調教與栽培下，技藝逐漸成熟，期望將「五洲派」的精髓永續傳承下去。
曾團長於習藝過程中，曾參與「台藝衛星電視台」布袋戲節目錄製，並擔任現場操偶指導，為現今少數擁有攝影棚經驗的藝師。為了學習更多的技藝，曾團長也經常與各縣市劇團彼此交流、切磋學習、提升自我，近年更深入校園指導布袋戲社團，將傳統技藝向下扎根。

  曾民光藝名曾嘉民，為五洲勝義閣第二代現任團長，不僅會操偶、口白演出，更是少數會唱曲的布袋戲藝師。曾團長自小跟隨父親曾山水（五洲勝義閣第一代團長）四處演出，並在父親的用心調教與栽培下，技藝逐漸成熟，期望將「五洲派」的精髓永續傳承下去。
曾團長於習藝過程中，曾參與「台藝衛星電視台」布袋戲節目錄製，並擔任現場操偶指導，為現今少數擁有攝影棚經驗的藝師。為了學習更多的技藝，曾團長也經常與各縣市劇團彼此交流、切磋學習、提升自我，近年更深入校園指導布袋戲社團，將傳統技藝向下扎根。

 Tseng Min-Kuang, whose stage name is Tseng Chia-Min, is the second-generation and current troupe leader of Wu Zhou Sheng Yi Ge Puppet Theatre. He is skilled not only in puppet manipulation and voice performance, but is also one of the few glove puppetry artists capable of singing traditional operatic tunes.

From a young age, Tseng Min-Kuang followed his father, Tseng Shan-shui—the founder and first-generation leader of the troupe—traveling to performances across Taiwan. Under his father’s careful guidance and training, his skills gradually matured, and he now aspires to carry forward and preserve the essence of the Wu Zhou style of glove puppetry.

During his apprenticeship, Tseng Min-Kuang participated in the recording of Taiwanese Arts ＆ Culture Television＇s puppet show and is an artist with studio experience. This experience makes him one of the few puppetry artists today with professional television studio experience.

In pursuit of further artistic growth, Tseng Min-Kuang frequently exchanges knowledge and techniques with puppetry troupes from different regions, continually refining his craft. In recent years, he has also been actively involved in guiding school puppetry clubs, helping to pass down and root traditional glove puppetry skills among younger generations.