在台灣的擊樂推廣與教學已四十餘年，擔任國家交響樂團打擊樂手，除了繁複精采的演奏生涯以外，在擊樂教學中，亦造就了相當多的擊樂優秀學子；台北打擊樂團1986年成立之時，陳振馨即是創始團員之一，他始終是樂團的重心份子。自2004年以來任台北打擊樂團藝術總監其間，對於擊樂合奏藝術的獨特個人詮釋及為打擊樂團的訓練計劃增添許多新氣象，例如「不想一個人玩」的公演主題製作當中，其實驗音效的串場設計，頗受好評；其策劃的年度公演，如「擊樂協奏曲之夜」、「國人擊樂作品系列發表會」等，皆是令人相當喜愛的製作節目。

  在台灣的擊樂推廣與教學已四十餘年，擔任國家交響樂團打擊樂手，除了繁複精采的演奏生涯以外，在擊樂教學中，亦造就了相當多的擊樂優秀學子；台北打擊樂團1986年成立之時，陳振馨即是創始團員之一，他始終是樂團的重心份子。自2004年以來任台北打擊樂團藝術總監其間，對於擊樂合奏藝術的獨特個人詮釋及為打擊樂團的訓練計劃增添許多新氣象，例如「不想一個人玩」的公演主題製作當中，其實驗音效的串場設計，頗受好評；其策劃的年度公演，如「擊樂協奏曲之夜」、「國人擊樂作品系列發表會」等，皆是令人相當喜愛的製作節目。

 Chen Chen-hsin has over 40 years of experience in promoting and teaching percussion music. As a percussionist for the NSO, Chen has not only built a remarkable performing career, but has also nurtured many superb percussionists. Chen was one of the founding members of Taipei Percussion at its inception in 1986 and has been a central figure. Since his tenure as the group’s artistic director began in 2004, Chen’s unique interpretation of percussion ensemble has injected new life into percussion ensemble training. For instance, for the Don’t Want to Play Alone public performance production, Chen devised a series of experimental sound effects as interludes, which were well received by the audience. Chen is also behind several annual performances, which include The Night of Percussion Concerto and Presentation Series for Home-grown Percussion Works – both productions are immensely popular.