輔仁大學心理系畢業，段級武術家，現任「烏犬劇場」藝術總監/導演。 

演出超過40部戲劇或舞蹈作品、執導10餘部劇場作品的彭子玲，本身具有扎實的心理學訓練背景與豐富多元的劇場跨界經驗。

在劇場創作中，擅長刻畫人在社會結構裡的被擠壓的精神狀態，並刻畫兩者（人與社會）之間如何相互影響的關係。其作品風格以精煉的身體語言、濃縮現實元素的舞台行動框架，來建構能並存「超現實」與「心理寫實」的劇場美學。

  輔仁大學心理系畢業，段級武術家，現任「烏犬劇場」藝術總監/導演。 

演出超過40部戲劇或舞蹈作品、執導10餘部劇場作品的彭子玲，本身具有扎實的心理學訓練背景與豐富多元的劇場跨界經驗。

在劇場創作中，擅長刻畫人在社會結構裡的被擠壓的精神狀態，並刻畫兩者（人與社會）之間如何相互影響的關係。其作品風格以精煉的身體語言、濃縮現實元素的舞台行動框架，來建構能並存「超現實」與「心理寫實」的劇場美學。

 Graduating from Fu Jen Catholic University with a bachelor’s degree in psychology, Peng Tzu-ling is a certificated martial artist and current artistic director/director of The Black Dog Theatre.  

With a solid training in psychology and diverse experiences in theatre, she has performed in over 40 theatre and dance productions and directed more than 10 theatre works.  Her theatre work focuses on the psychological suppression humans suffer in our social structure to depict the reciprocal relationship between the two (humans and society), often featuring a highly condensed physical language to concentrate the stage action in the realistic framework as a way to establish a theatre aesthetics which is both surrealistic and psychologically realistic.

輔仁大學心理系畢業、現任「烏犬劇場」團長/編劇/武術指導。

武術師承長洪武術陳江山教練與台大武學謝君韜教練，擅長北拳、南拳、太極拳，並對拳擊與巴西柔術等近代格鬥運動有深入的研究。。
學生時代參與不同社會運動與學生運動場合、畢業後至行銷與活動公司操作演出節目，2011年辭去商業工作與彭子玲成立「烏犬劇場」。
劇場的編劇創作風格，擅長以荒謬、看似離題卻冷血的黑色幽默，來刻畫隱藏現實社會底下各種矛盾與離奇的現象;在身體美學的面向，自2018年起開始注入武術鍛鍊進到烏犬劇場的表演體系，在傳統與現代武術之間找尋表演者在舞台上的「立足」之地。

  輔仁大學心理系畢業、現任「烏犬劇場」團長/編劇/武術指導。

武術師承長洪武術陳江山教練與台大武學謝君韜教練，擅長北拳、南拳、太極拳，並對拳擊與巴西柔術等近代格鬥運動有深入的研究。。
學生時代參與不同社會運動與學生運動場合、畢業後至行銷與活動公司操作演出節目，2011年辭去商業工作與彭子玲成立「烏犬劇場」。
劇場的編劇創作風格，擅長以荒謬、看似離題卻冷血的黑色幽默，來刻畫隱藏現實社會底下各種矛盾與離奇的現象;在身體美學的面向，自2018年起開始注入武術鍛鍊進到烏犬劇場的表演體系，在傳統與現代武術之間找尋表演者在舞台上的「立足」之地。

 Graduating from Fu Jen Catholic University with a bachelor’s degree in psychology, Wang Shao-chun is currently the leader, playwright and martial art coach of The Black Dog Theatre.  

As a disciple of the Martial Arts masters Chen Chiang-Shan and Hsieh Chun-Tao, Wang Shao-chun is well-trained in the practices of North School, South School, Taichi, Boxing and Brazilian Jiu Jitsu.   
He was active in social movements and student movements while in school, and has been working in a marketing and event management company since graduating, until he quitted to start The Black Dog Theatre with Peng Tzu-ling In 2011.     

His playwriting shows a black humor with an aloof digression to capture the absurd and paradoxical scenes in our real-life society, while he also integrates the training of martial arts in the acting of The Black Dog Theatre to form a unique body aesthetics, as embodied by the performers’ “presence” exploring between traditional and modern martial arts on stage.