出生於1971年，台北大學民藝所碩士肄業。成長於布袋戲世家，70年代曾與父親鄭武雄參與內台演出，奠定了基礎。2011年鄭武雄逝世後，將父親著作劇本整理與保存，全力透過演出活化資產。近年重整內台劇本，創作新作，結合現代劇場技術發展「新金光戲」。連續四年獲彰化縣傑團，2023年入圍第34屆傳藝金曲獎最佳偶戲主演獎，並榮獲評審團獎。在其帶領下劇團營不僅於精化線下演出，亦投入線上平台經營，更前往海外售票演出，使台灣布袋戲再度國際關注。在堅持「沒有最好，只有更好」下，致力於找出商業性與藝術性共存，為當代布袋戲重新定位與永續發展。

 Hung-Hsien Lin, born in 1971, pursued a master's degree in the Folk Arts Department at Taipei University. Growing up in a family deeply rooted in glove puppetry, Hung-Hsien Lin participated in “Nei Tai(back stage) Jinguang Potehi Puppet Show" with his father, Zheng Wuxiong, during the 1970s, laying the foundation for his career. After Zheng Wuxiong's passing, Hung-Hsien Lin organized and preserved his father's scripts, revitalizing the assets through performances. In recent years, Hung-Hsien Lin has revamped theater scripts, created new works, and integrated modern theater technology to develop the "New Jinguang Potehi Puppet Show" accumulating six theatrical productions over five years. Consistently selected as an outstanding troupe in Changhua County, Hung-Hsien Lin has been honored with the Golden Palm Award and nominated for the Best Puppetry Lead Actor Award at the 34th Golden Melody Awards For Traditional Arts and Music, also winning the Judges' Award. Upholding the belief that "there is no best, only better," the troupe not only performs offline but also invests in online platform operations. Additionally, they have ventured overseas for ticket sales performances, rekindling international interest in Taiwanese glove puppetry. Dedicated to the coexistence of commercial and artistic endeavors, they strive to redefine and sustainably develop contemporary glove puppetry.