台灣當代劇場活躍且極具影響力的青壯派中堅創作者，早在80年代台灣小劇場運動中，以河左岸劇團開創詩化意象劇場，以低限內斂，濃稠文學質感的殊異風格，躋身臺灣第二波劇場新潮重要旗手。90年代之後，更跨足音樂劇，歌劇，新媒體劇場導演，堪稱同世代劇場最多元發展的代表。現任人力飛行劇團藝術總監、東海大學表演藝術碩士學程專任副教授，歷任河左岸劇團、創作社劇團創始成員、國立台灣師範大學表演藝術研究所兼任副教授。

  台灣當代劇場活躍且極具影響力的青壯派中堅創作者，早在80年代台灣小劇場運動中，以河左岸劇團開創詩化意象劇場，以低限內斂，濃稠文學質感的殊異風格，躋身臺灣第二波劇場新潮重要旗手。90年代之後，更跨足音樂劇，歌劇，新媒體劇場導演，堪稱同世代劇場最多元發展的代表。現任人力飛行劇團藝術總監、東海大學表演藝術碩士學程專任副教授，歷任河左岸劇團、創作社劇團創始成員、國立台灣師範大學表演藝術研究所兼任副教授。

 LI is currently Artistic Director at Mr.Wing Theatre Company, as well as full-time associate professor at the Graduate Institute of Performing Arts, Tunghai University. As a founding member of the Rive-Gauche Theatre Group and Creative Society Theatre Company, Li made his name as early as the Avant-garde Theatre Movement of 1980s Taiwan and became one of the most active and influential figure in contemporary Taiwan theatre. Later in 1990s, LI expanded his career into the category of musicals, operas and multimedia stage productions, and becoming one of the most presenting theatre director in Taiwan. LI’s recent directing works include: Giacomo Puccini's Turandot (Deutsch oper am Rhein/National Kaohsiung Center for the Arts-Weiwuying, 2015-19). Jonathan Dove's Monster in the maze (National Taichung Theatre, 2016). Mr.Wing Theatre Company's The Rainbow of Time: a musical; Turn Left, Turn Right: a musical ; Jimmy’s Subway:a musical; The Cherry Orchard 2047; Lutz Hubner's the company thanks (featured in TIFA); Starlight Theatre; Taipei Dad/New York Mom (featured in TIFA). Vincenzo Bellini’s Norma, Richard Wagner’s The Ring Cycle, Richard Strauss’s Elektra, Richard Wagner’s Parsifal and On the Road with the NSO.