國立陽明交通大學應用藝術研究所博士班就讀，專攻共融藝術。
《大象飛過我的耳朵》聽障共融藝術計畫主持

從事劇場與擊鼓工作二十餘年，深感「擊鼓本質是人內在風景的展現」，毅然轉向投入老鼓譜田野調查，從口傳心授傳統鼓譜中，揉和多元媒材轉化創作的能量。近年來，認為劇場不只是演出呈現，更需包含參與發展過程的展現，開啟共創與共融相關計畫，以展、以演、以論呈現作品總體，表達對社會的深切關懷與藝術平權的支持。

  國立陽明交通大學應用藝術研究所博士班就讀，專攻共融藝術。
《大象飛過我的耳朵》聽障共融藝術計畫主持

從事劇場與擊鼓工作二十餘年，深感「擊鼓本質是人內在風景的展現」，毅然轉向投入老鼓譜田野調查，從口傳心授傳統鼓譜中，揉和多元媒材轉化創作的能量。近年來，認為劇場不只是演出呈現，更需包含參與發展過程的展現，開啟共創與共融相關計畫，以展、以演、以論呈現作品總體，表達對社會的深切關懷與藝術平權的支持。

 Doctoral candidate at the Institute of Applied Arts, National Yang Ming Chiao Tung University, specializing in inclusive arts.
Project director of The Elephant Flew Past My Ear, an inclusive arts initiative exploring Deaf culture and creative collaboration.
With over two decades of experience in theater and percussion, Huang views drumming as an expression of one＇s inner landscape. Her practice extends into field research on traditional drumming scores, passed down through oral traditions, integrating diverse media into contemporary artistic creation. In recent years, she has expanded her focus beyond performance to emphasize the creative process as an essential part of artistic expression. Through interdisciplinary and inclusive arts projects, she explores the intersections of exhibition, performance, and participation, fostering new possibilities for inclusive artistic practices.