馬華裔台灣中生代劇場導演，於2006年創立「動見体劇團」並任藝術總監。現任教於文化大學國劇系與台灣大學戲劇系。曾於九?年代，就讀台大中文系期間，投身「人子劇團」師事陳偉誠與黃承晃，接受果陀夫斯基表演系統訓練，奠基身體行動的劇場美學觀。後就讀北藝大劇場藝術研究所導演組，師事賴聲川，並曾任「外表坊時驗團」駐團導演。符宏征創作題材多元豐富，擅長以劇場召喚演者及觀者的內在精神樣態，展現對人類生命的深刻凝視。其作品以詩意的身體景觀、多焦點的拼貼敘事、凝煉極簡的舞台語言、多層次的空間意象等，構築充滿戲劇張力、及超現實風格的視覺及音樂性，成為其特有的劇場美學。

 Fu Hong-Zheng established M.O.V.E. Theatre in 2006, currently teaching at the Department of Chinese Drama at Chinese Culture University, and the Department of Drama and Theatre at National Taiwan University. He had joined in Zen-Tze Theatre Laboratory, where he received the acting training method evolved from Grotowski’s system under the guidance of Chen Wei-Chen and Huang Cheng-Huang – which became the foundation of his physical theatre aesthetics. Later, he studied in the Graduate Institute of Theatre Performance at Taipei National University of the Arts with a specialization in directing under the guidance of Stan Lai and worked at Off Performance Workshop as a resident director. Fu Hong-Zheng’s works feature poetic physical landscape, multi-perspective collaged narrative, condensed theatre language, and multiple metaphors of space, through which he creates a theatre of intensity integrated with surrealistic visuality and musicality. The themes of his works include contemporary history, myth, cultural and social issues. Fu is particularly talented at evoking performers’ and viewers’ inner psychological state through theatre, demonstrating his profound contemplation on humanity and his unique theatre aesthetics.