當代最重要的南管音樂家之一，被喻為兩岸南管創新傳承第一人。
王心心成長於福建泉州的南管世家，四歲開始學習南管；精習指、譜大曲及各項樂器，尤以歌唱著名，是南管界少見「坐遍五張 金交椅」的音樂全才。90年代移民台灣後深受，台灣現代藝術家包括林懷民、董陽孜、羅曼菲、吳素君、等人之薰陶與影響，多次受邀歐美重要藝術節演出。2003年創辦心心南管樂坊，致力於南管與當代藝術跨領域的創新與合作，在南管吟唱與中國古典詩詞文學的結合創作上獨樹一幟，經典作品如《葬花吟》、《琵琶行》及李清照的《聲聲慢》等，聲情並茂，形象動人，2015年首度嘗試以現代詩入曲，為詩人余光中創作全劇場作品《南管詩意》，禪音系列作品《以音聲求─普庵咒》、《此岸‧彼岸─心經》、《觀世音菩薩普門品》。

  當代最重要的南管音樂家之一，被喻為兩岸南管創新傳承第一人。
王心心成長於福建泉州的南管世家，四歲開始學習南管；精習指、譜大曲及各項樂器，尤以歌唱著名，是南管界少見「坐遍五張 金交椅」的音樂全才。90年代移民台灣後深受，台灣現代藝術家包括林懷民、董陽孜、羅曼菲、吳素君、等人之薰陶與影響，多次受邀歐美重要藝術節演出。2003年創辦心心南管樂坊，致力於南管與當代藝術跨領域的創新與合作，在南管吟唱與中國古典詩詞文學的結合創作上獨樹一幟，經典作品如《葬花吟》、《琵琶行》及李清照的《聲聲慢》等，聲情並茂，形象動人，2015年首度嘗試以現代詩入曲，為詩人余光中創作全劇場作品《南管詩意》，禪音系列作品《以音聲求─普庵咒》、《此岸‧彼岸─心經》、《觀世音菩薩普門品》。

     Considered one of the greatest nanguan musicians in the current era, Wang Xin-xin is praised for bringing novelty and continuity to nanguan music across the Taiwan Strait. Wang grew up in a nanguan family in Quanzhou in southeastern China's Fujian province. She began learning nanguan at the age of four and became skilled in all three nanguan styles: chi, pho and khiok. She is particularly known for her singing mastery and regarded as a rare all-rounder in nanguan music. She relocated to Taiwan during the 1990s and came under the influence of Taiwanese modern artists, including Lin Hwai-min, Tong Yang-tze, Lo Man-fei and Wu Shu-chung. She has been invited to major art festivals in Europe and North America and is widely seen as both the preserver and innovator of nanguan (also called nanyin) music. She founded Xin Xin Nanguan Ensemble in 2003 and has devoted herself to the innovation of nanguan and cross-disciplinary collaboration with the contemporary art circle. She has also made a unique contribution by combining nanguan vocal music and Chinese poetry. 
    Renowned Taiwanese choreographer Lin Hwai-min had this description about Wang, “[w]hen she hasn’t come on stage, we wait silently; as soon as she opens her mouth, we forget where we are.”